Courses

Introduction

Fundamentals

6 Exercises
  1. 1

    Pressure on d5

    Course preview

    1.c3 e5 2.Nf3 Nc6 3.Bc4

    1. c3

      c3 prepares d4 and cuts off a large part of Black's active Sicilian play.

    2. e5

      Black gains space, but gives up the d5-square for the next phase.

    3. Nf3

      We develop without rushing and keep d4 in reserve.

    4. Nc6

      The knight controls d4, but it does not solve the d5 problem.

    5. Bc4

      The bishop comes out freely, targets f7, and gives us a very easy setup. Above all, remember that ...e5 gives us clean development and a real strong square on d5.

  2. 2

    Black fianchetto

    1.c3 g6 2.d4 cxd4 3.Bg7 Nc3 4.Nf3

    1. c3

      c3 prepares d4 and cuts off a large part of Black's active Sicilian play.

    2. g6

      Black chooses the fianchetto, so we must take the center before the g7-bishop starts to matter.

    3. d4

      We occupy the central space right away.

    4. cxd4

      We recapture with the pawn to keep a healthy and active structure.

    5. Bg7

      The bishop targets the center, but it arrives after we are already set up.

    6. Nc3

      We defend e4 and prepare very natural development.

    7. Nf3

      Everything is in place: center, development, and quick castling to come. Remember that against Black's fianchetto, we keep a simple structure and develop directly.

  3. 3

    Harmonious development

    1.c3 d6 2.d4 cxd4 3.Nf6 Nc3 4.Nf3 Bd3 5.O-O

    1. c3

      c3 prepares d4 and cuts off a large part of Black's active Sicilian play.

    2. d6

      This move is solid, but it still leaves us the whole center.

    3. d4

      We take space before Black organizes pressure.

    4. cxd4

      We keep a strong central pawn and a clear structure.

    5. Nf6

      Black attacks e4, so we develop precisely.

    6. Nc3

      The knight defends e4 and controls the important central squares.

    7. Nf3

      We complete the basic development without weakening the position.

    8. Bd3

      The bishop supports e4 and prepares very comfortable castling.

    9. O-O

      The pieces come out naturally and our plan remains easy to play. Remember this line as the clean Alapin setup.

  4. 4

    Advance against Nf6

    1.c3 Nf6 2.e5 Nd5 3.Nf3 Nc6 4.Bc4 Bb3

    1. c3

      c3 prepares d4 and cuts off a large part of Black's active Sicilian play.

    2. Nf6

      Black attacks e4 too early and gives us a useful advance.

    3. e5

      We chase the knight away and immediately take space.

    4. Nd5

      The knight retreats, but remains exposed to developing moves with tempo.

    5. Nf3

      We develop calmly before expanding the center even further.

    6. Nc6

      Black tries to stabilize, but we keep the initiative.

    7. Bc4

      The bishop targets d5 and increases the discomfort of Black's knight.

    8. Bb3

      We save the bishop without conceding anything, and Black has already lost time. Remember that against ...Nf6, e5 is the simplest and most useful reflex.

  5. 5

    Continuation after e6

    1.c3 Nf6 2.e5 Nd5 3.Nf3 e6 4.d4 cxd4 5.Bc4 O-O

    1. c3

      c3 prepares d4 and cuts off a large part of Black's active Sicilian play.

    2. Nf6

      Black attacks e4 too early and gives us a useful advance.

    3. e5

      We chase the knight away and immediately take space.

    4. Nd5

      The knight retreats, but remains exposed to developing moves with tempo.

    5. Nf3

      We develop calmly before expanding the center even further.

    6. e6

      This move prepares ...d6, so we must take the center right away.

    7. d4

      We turn the e5 advance into a real space advantage.

    8. cxd4

      We keep a central pawn and a structure without weaknesses.

    9. Bc4

      The bishop comes out with tempo and puts pressure on d5 and e6.

    10. O-O

      The king is safe and the continuation plays very naturally. Remember that after ...e6, we fix the space and then finish development without complications.

  6. 6

    Structure with Nge7

    1.c3 e6 2.d4 cxd4 3.e5 Nf3 4.Nc3

    1. c3

      c3 prepares d4 and cuts off a large part of Black's active Sicilian play.

    2. e6

      Black wants to play ...d5, so we must be ready to close the center.

    3. d4

      We occupy the space before Black can equalize easily.

    4. cxd4

      We keep our central pawn and a clear structure.

    5. e5

      We close the center at the right moment and gain a real space advantage.

    6. Nf3

      We develop while keeping control of the key squares.

    7. Nc3

      Our pieces come out freely while Black's already lack air. Remember that against ...e6 and ...d5, e5 fixes a very pleasant structure to play.

Center and Space

6 Exercises
  1. 1

    Answer to Bb4+

    1.c3 e6 2.d4 cxd4 3.e5 Nf3 4.Bb4+ Nc3

    1. c3

      The basic plan remains d4 followed by e5 if Black accepts a closed structure.

    2. e6

      Black prepares ...d5, so we must be ready to lock the center.

    3. d4

      We take space without waiting.

    4. cxd4

      We recapture with the pawn to keep the best structure.

    5. e5

      We close at the right moment and take useful squares away from Black's pieces.

    6. Nf3

      We develop before dealing with the expected check.

    7. Bb4+

      The check mainly tries to bother us, but it changes nothing about the plan.

    8. Nc3

      We block naturally, develop, and keep all the space pressure. Remember that ...Bb4+ is no reason to panic in this structure.

  2. 2

    Strong center against d6

    1.c3 d6 2.d4 cxd4 3.Nf6 Nc3 4.d5 f4 5.Nf3

    1. c3

      The basic plan remains d4 followed by e5 if Black accepts a closed structure.

    2. d6

      This move does not challenge the center yet, so we must advance quickly.

    3. d4

      We immediately occupy the strong squares.

    4. cxd4

      We keep a central pawn and a very healthy structure.

    5. Nf6

      Black puts pressure on e4, but that does not stop our plan.

    6. Nc3

      We defend e4 while developing.

    7. d5

      We gain space and chase the knight away.

    8. f4

      We push again and smother Black's pieces.

    9. Nf3

      Development follows while Black is already short of squares. Remember the d5 followed by f4 duo to take space against ...d6.

  3. 3

    Total center with Nd7

    1.c3 Nc6 2.d4 cxd4 3.d6 d5 4.f4 Nd7 5.Nf3

    1. c3

      The basic plan remains d4 followed by e5 if Black accepts a closed structure.

    2. Nc6

      The knight comes out, but it does not yet interfere with our main plan.

    3. d4

      We strike in the center right away.

    4. cxd4

      We keep a very clean structure.

    5. d6

      Black stays compact, so we can gain even more ground.

    6. d5

      This advance chases the knight and fixes the space advantage.

    7. f4

      We keep advancing while Black retreats.

    8. Nd7

      The knight goes back and our central squares become excellent.

    9. Nf3

      We finish development in an already very comfortable position. Remember that after ...Nd7, the main work is already done: White's center dominates.

  4. 4

    Fork on f5

    1.c3 Nc6 2.d4 cxd4 3.d6 d5 4.f4 Nf3 5.e6 dxe6 6.Bxe6 f5

    1. c3

      The basic plan remains d4 followed by e5 if Black accepts a closed structure.

    2. Nc6

      The knight comes out, but it does not yet interfere with our main plan.

    3. d4

      We strike in the center right away.

    4. cxd4

      We keep a very clean structure.

    5. d6

      Black stays compact, so we can gain even more ground.

    6. d5

      This advance chases the knight and fixes the space advantage.

    7. f4

      We keep advancing while Black retreats.

    8. Nf3

      We develop before striking.

    9. e6

      Black tries to break free, so we must answer precisely.

    10. dxe6

      We remove the supporting pawn and open the tactic.

    11. Bxe6

      The bishop recaptures, but lands on the same line as the knight.

    12. f5

      We attack both pieces at once and win the initiative. Remember this motif: after ...e6 and ...Bxe6, f5 can become an immediate tactical move.

  5. 5

    e5 Breakthrough

    1.c3 Nc6 2.d4 cxd4 3.d6 d5 4.f4 Nf3 5.Nf6 e5 6.fxe5

    1. c3

      The basic plan remains d4 followed by e5 if Black accepts a closed structure.

    2. Nc6

      The knight comes out, but it does not yet interfere with our main plan.

    3. d4

      We strike in the center right away.

    4. cxd4

      We keep a very clean structure.

    5. d6

      Black stays compact, so we can gain even more ground.

    6. d5

      This advance chases the knight and fixes the space advantage.

    7. f4

      We keep advancing while Black retreats.

    8. Nf3

      We develop before striking.

    9. Nf6

      Black brings a piece into play, but it lacks central support.

    10. e5

      We strike right away while Black's pieces are poorly coordinated.

    11. fxe5

      We recapture while opening the way for e6 in many lines. Remember that the e5 push is used here to open the game when Black has no stable center.

  6. 6

    Break on d5

    1.c3 Nc6 2.d4 cxd4 3.e6 d5 4.exd5 exd5 5.Nc3

    1. c3

      The basic plan remains d4 followed by e5 if Black accepts a closed structure.

    2. Nc6

      The knight comes out, but it does not yet interfere with our main plan.

    3. d4

      We strike in the center right away.

    4. cxd4

      We keep a very clean structure.

    5. e6

      Black finally prepares ...d5, so we must advance before Black does.

    6. d5

      We close the door and gain a support square on e4-e5.

    7. exd5

      Black exchanges to free themselves, but also opens squares for our pieces.

    8. exd5

      We recapture while keeping the space and a clear structure.

    9. Nc3

      The knight develops with pressure on Black's center. Remember that here d5 comes before Black's ...d5 and dictates the whole game.

Traps and Punishments

8 Exercises
  1. 1

    Anti-French plan

    1.c3 e6 2.d4 exd5 3.exd5 Bb5+ 4.Nf3 O-O 5.Bg5 dxc5

    1. c3

      We keep d4 in mind, even if Black quickly changes structure.

    2. e6

      Black wants a French-type position, so we need to know how to handle it simply.

    3. d4

      We take the center before ...d5 equalizes effortlessly.

    4. exd5

      We clarify the center and prepare quick development.

    5. exd5

      Black recaptures, but that leaves a rigid structure.

    6. Bb5+

      The check develops the bishop with a useful tempo.

    7. Nf3

      We calmly continue development.

    8. O-O

      The king is safe before the center opens.

    9. Bg5

      The pin bothers Black's pieces and prepares favorable exchanges.

    10. dxc5

      We open the game when Black is not fully ready. Remember that in this structure, we develop first and then open the center at the right moment.

  2. 2

    Tactic on Nxd5

    1.c3 Nc6 2.d4 cxd4 3.d5 f4 4.Nf3 Nf6 5.e5 fxe5 6.Nxd5

    1. c3

      We keep d4 in mind, even if Black quickly changes structure.

    2. Nc6

      The knight comes out, but it does not slow down our central plan.

    3. d4

      We take space right away.

    4. cxd4

      We keep the best possible structure.

    5. d5

      We chase the knight and fix the space advantage.

    6. f4

      We continue gaining ground.

    7. Nf3

      We develop before the break.

    8. Nf6

      Black relies on piece activity, but the center remains empty.

    9. e5

      We open the game while Black's pieces are poorly coordinated.

    10. fxe5

      We recapture with the initiative, and the d5-square becomes fragile.

    11. Nxd5

      This move wins a pawn, but it often allows an immediate tactical theme with Bb5+. Remember that here Black's greed can be punished right away.

  3. 3

    Queen trap

    1.c3 Nc6 2.d4 cxd4 3.d5 exd5 4.Qxd5 Nf3 5.Nc3 Qd8 6.d5 Nxe5

    1. c3

      We keep d4 in mind, even if Black quickly changes structure.

    2. Nc6

      The knight comes out, but it does not slow down our central plan.

    3. d4

      We take space right away.

    4. cxd4

      We keep the best possible structure.

    5. d5

      Black breaks the center, but it brings the queen out too early.

    6. exd5

      We lure the queen onto an exposed square.

    7. Qxd5

      The black queen becomes a target for development.

    8. Nf3

      We develop with potential tempo on the queen.

    9. Nc3

      We attack the queen while improving our game.

    10. Qd8

      This retreat loses the time gained by the early queen sortie.

    11. d5

      We take advantage of Black's delay to gain even more space.

    12. Nxe5

      The knight falls into a typical tactic in the position. Remember that if the black queen retreats to d8, d5 followed by Nxe5 comes very often.

  4. 4

    Structure after gxf3

    1.c3 Nc6 2.d4 cxd4 3.d5 exd5 4.Qxd5 Nf3 5.Nc3 Bxf3 6.gxf3 Nxd4

    1. c3

      We keep d4 in mind, even if Black quickly changes structure.

    2. Nc6

      The knight comes out, but it does not slow down our central plan.

    3. d4

      We take space right away.

    4. cxd4

      We keep the best possible structure.

    5. d5

      Black breaks the center, but it brings the queen out too early.

    6. exd5

      We lure the queen onto an exposed square.

    7. Qxd5

      The black queen becomes a target for development.

    8. Nf3

      We develop with potential tempo on the queen.

    9. Nc3

      We attack the queen while improving our game.

    10. Bxf3

      Black chooses simplification and gives us a special structure.

    11. gxf3

      We recapture without fear, because the g-file can become useful and the bishop pair remains possible.

    12. Nxd4

      The final phase of development requires precision, but the position remains playable and dynamic. Remember that gxf3 is acceptable if you understand the structural compensation and activity.

  5. 5

    Qa5 under pressure

    1.c3 d5 2.exd5 Qxd5 3.d4 cxd4 4.Nf3 Nc3 5.Qa5 d5 6.Bb5+

    1. c3

      We keep d4 in mind, even if Black quickly changes structure.

    2. d5

      Black seeks immediate equality, so we must play actively.

    3. exd5

      We draw the queen away from its starting square.

    4. Qxd5

      The queen comes out early and becomes a natural target.

    5. d4

      We gain central space while it is exposed.

    6. cxd4

      We keep a central pawn and a healthy structure.

    7. Nf3

      We develop before launching the next tempo.

    8. Nc3

      The black queen has to move again.

    9. Qa5

      This retreat avoids the exchange, but the queen remains far from the action.

    10. d5

      We gain another tempo on the central knight.

    11. Bb5+

      The check prevents Black from coordinating and makes the king uncomfortable. Remember that against ...Qa5, the d5 followed by Bb5+ duo is a very practical setup.

  6. 6

    Useful queen trade

    1.c3 d5 2.exd5 Qxd5 3.d4 Nf3 4.Qa4+ Bd7 5.Qb3 Qxb3 6.axb3

    1. c3

      We keep d4 in mind, even if Black quickly changes structure.

    2. d5

      Black seeks immediate equality, so we must play actively.

    3. exd5

      We draw the queen away from its starting square.

    4. Qxd5

      The queen comes out early and becomes a natural target.

    5. d4

      We gain central space while it is exposed.

    6. Nf3

      We develop while keeping the Qa4+ idea available.

    7. Qa4+

      The check disrupts Black's coordination and forces a precise response.

    8. Bd7

      Black defends the queen, but the bishop lands passively.

    9. Qb3

      We offer a trade that leaves us with an easy structure to play.

    10. Qxb3

      Black simplifies, but opens the a-file for us.

    11. axb3

      The recapture is clean and gives simple, healthy, risk-free play. Remember this option when you want a clear middlegame against ...d5.

  7. 7

    Winning the c5-pawn

    1.c3 d5 2.exd5 Qxd5 3.d4 Nf3 4.Qa4+ Nc6 5.Bc4 Qd7 6.dxc5 gxf3

    1. c3

      We keep d4 in mind, even if Black quickly changes structure.

    2. d5

      Black seeks immediate equality, so we must play actively.

    3. exd5

      We draw the queen away from its starting square.

    4. Qxd5

      The queen comes out early and becomes a natural target.

    5. d4

      We gain central space while it is exposed.

    6. Nf3

      We develop while keeping the Qa4+ idea available.

    7. Qa4+

      The check disrupts Black's coordination and forces a precise response.

    8. Nc6

      The knight blocks, but it does not protect everything.

    9. Bc4

      The bishop comes out with tempo and puts the queen under pressure again.

    10. Qd7

      Black holds the position, but becomes more passive.

    11. dxc5

      We take the pawn at the right moment and keep the initiative.

    12. gxf3

      We accept the structure because the material gain and activity more than compensate. Remember that this c5-pawn is often won if the black queen has already lost too much time.

  8. 8

    Queen hunt

    1.c3 d5 2.exd5 Qxd5 3.d4 Nf3 4.Qa4+ Nc6 5.Bc4 Qe4+ 6.Be3 Nd2

    1. c3

      We keep d4 in mind, even if Black quickly changes structure.

    2. d5

      Black seeks immediate equality, so we must play actively.

    3. exd5

      We draw the queen away from its starting square.

    4. Qxd5

      The queen comes out early and becomes a natural target.

    5. d4

      We gain central space while it is exposed.

    6. Nf3

      We develop while keeping the Qa4+ idea available.

    7. Qa4+

      The check disrupts Black's coordination and forces a precise response.

    8. Nc6

      The knight blocks, but it does not protect everything.

    9. Bc4

      The bishop comes out with tempo and puts the queen under pressure again.

    10. Qe4+

      Black takes the tactical initiative, so we must respond precisely.

    11. Be3

      We block the check while developing.

    12. Nd2

      This move attacks both the queen and the black bishop at the same time. Remember this motif: against ...Qe4+, Be3 followed by Nd2 very quickly turns the pressure around.